Design of the Website
In the past few years the profile of digital or electronic media
e.g. cd ROM, the internet, and electronic publishing in general,
has grown immensely. The internet is a relatively new medium which
represents a revolution in communications technology comparable
perhaps to the invention of the telephone. For many millions of
people around the world it is now a primary means of communication.
We are now beginning to realise that pages on 'the net', like
the pages of a traditional publication, need to be well designed
to attract, stimulate and sustain the interest of the end user.
According to Neville Brody, one of the UKs most influential
designers of the past 15 years, currently 90% of what we see on
the Internet is badly designed.
The Amanfoo Web Site
February 1999 saw the launch of the latest look of the Prempeh
Website. In creating the new look site we have had to take account
of a diverse range of criteria not only in an aesthetic terms
but also with a wary eye on the technical limitations of the medium
when targeting the widest possible audience.
For our purposes the college website must project a confident,
consistent, upmarket, approachable, dependable face - and yet
must be seen to be contemporary, upbeat, not stuffy. It must
also be efficient and easy to use and meet the high technical
specifications demanded of contemporary websites .
Target Audience
One of the primary considerations when approaching any design
project is identification of the target audience. In the case
of designing websites this principle takes on greater precedence
due to the divergent nature of the hardware and software used
by various user groups. For example, if I put up a gallery site
showing full colour artwork using scanned images which are made
up of thousands or millions of colours I immediately lose a significant
percentage of my potential audience. The reason for this is that
the greater majority of people using the internet have monitors
which work on a palette of 256 colours and which are often configured
unwittingly to a 16 colour palette. In this instance images which
look beautiful on my monitor will be downloaded and converted
or dithered to a lesser palette and the results can end up as
variable, to say the least. We also need to recognize that full
colour images tend to have large file sizes which may take too
long to download.
The variety of browsers in use around the world and the variability
of browser settings presents a similar problem. A browser on
a replacement colour setting will convert the image to its own
palette, again producing unpredictable results. This however does
not present a problem if I have identified my audience as high
specification workstation users with the latest version of Netscape.
We, as a highly pretigious institution in a very competitive
marketplace, need however to reach a much wider audience; an
audience which includes schools, prospective pupils, parents and guardians of future Amanfoo,
students, postgraduate students, overseas students, researchers,
business users, staff etc. - all of whom use different hardware
and software.
To combat the above problems we developed a custom palette which
allows us to dither all of our templates or gif files whilst retaining
optimum picture quality. All of the images converted to the new
palette have been tested across various monitors and browser settings
to ensure that we sustain a consistent level of quality across
the board.
Establishing the Identity
Developing, or more particularly, establishing a corporate identity
over a site as large as the Prempeh College's presents
very immediate logistical and administrative problems.
It is important that the Amanfoo website maintains
a consistent visual identity across as many pages as possible.
To this end we have broken our design down to a series of templates
which, when used in part or as a whole, will engender a cohesive,
consistent, functional identity which meets the aforementioned
aesthetic and technical criteria.
The Design
The Home Page
The Home Page must project a confident, up-market,
approachable, dependable face - and yet must be seen to be contemporary,
upbeat, not stuffy. It establishes the visual language which permeates
the whole of the site and is the keystone of the website identity.
The most prominent feature of the Home Page is the Great Stool in the centre of the page.
To communicate something of the life and spirit of the CULTURE-RICH ROYAL SCHOOL,
we have created a montage of students from a diverse range of
disciplines clearly enjoying life on campus. On the far upper right corner is His Majesty Osei Agyemang Prempeh II,
the Otumfuo whose vision in 1940 led to the establishment of the Asante
State's First Boys Institution, looking resplendent in his Royal Kente.
Moving clockwise, Sims Street is below, leading from the school gate to
the Administration block. Below the eye-catching school bus is The
Appean Way, the Spirit of the School!. On the left of the bus is Serwah
House, "The Gateway to China." Above the Mighty Boneshaker (The
School Truck) is Ramseyer House, followed by the Greatest Cadet Corps
in the Land, and The School Choir. The Main Classroom Block is shown on
the top, followed by The Nation's first Computer Center. In the center of
it all is the Osae Assembly Hall, where we spent most of our time!
This combination maintains the link
to the School colours whilst allowing us to balance the contrast
to highlight the college shield and website logo.
The network
layer has a reduced percentage opacity to blend unobtrusively
with the photomontage background.
The Background
A good screen background should function as a non-obtrusive,
balanced, low contrast ground upon which any overlaid information,
whether visual or typographical, can be easily read. Although
the background should be non-distracting, it can be used to subliminally
evoke an emotional response in the end-user. In this instance
we have simulated a high quality laid paper, something which might
be used for corporate stationery at the upper end of the market
e.g. financial institutions, architectural practices, publishers
etc. This is intended to project a corporate, upmarket, dependable
face whilst maintaining good readability in textual information
and in graphic illustrations. An added property of this textured
paper background is that it can be used at a small scale to create
a seamless tile to compose the larger background. This helps to
keep file sizes down which in turn improves performance in terms
of download times. The colour of the background in the early stages
of the design was white. The white ground however broke up badly
on certain browser settings due to the limitations of greyscales
in web palettes. We found that adding a touch of colour improved
this and following testing and feedback from users found that
a cream coloured paper maintains readability and brings warmth
to the page designs.
The Shield
We already have a long standing identity in the shape of the College
shield or crest, and we felt it important to retain this as the
foundation from which to develop the new look site.
To place the shield in a more contemporary context we recreated
the stool as a 3D model. The colours
of the crest are used throughout the page designs to re-enforce
the College's corporate identity and our prestigious heritage,
as well as reasserting the College's
identity throughout the site. The appearance of our stool and crest on every page
brings an added visual dimension to the site which is not merely
cosmetic.
Secondary Level Pages
On the secondary level and the design changes
to a simpler form which still adheres to, and works well within
the overall philosophy of the design concept.
We still retain the same compositional grid and the shield, the stool
and headings remain.
There is a table with a white background to match black text colours.
This way visitors in a rush can print out information and read it on their way to Rivoli Cinema.
This also improves our performance in terms of download times.
Conclusion
Neville Brody may be correct in his observation regarding the
quality of design on the World Wide Web. It is true that the vast
majority of people creating websites around the world may not
have the aesthetic sensibilities of a trained designer and there
are certainly some humdinger sites out there, but it is equally
true that web technology as it exists puts constraints upon web
designers.
Software developers would have us believe that website design
is as easy as falling off a log but the development of efficient,
usable, appealing websites clearly takes time, effort and skill
and an ability to harness the ever changing technologies of electronic
communication. It may be some time before the web is the all-singing,
all-dancing multimedia communications behemoth which pundits are
predicting, but there is certainly no question of its growing
importance as a global communications medium.
We have in the course of developing the new look site made many
compromises ourselves, all of which were brought about by the
limitations of the current technology. We have however designed
a look which we feel can give the Royal School a contemporary, qualitative,
efficient, coherent presence on the World Wide Web.
We cannot hope to please everyone within an establishment of this
size but we hope that those of you who are taking up the challenge
of creating new sites or revamping old ones will enjoy working
within the Amanfoo Website Corporate Identity.
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